Raw blackened death-doom plague Cthonica began in Caracas, Venezuela, back in 2016 (formed by D.V. on Guitars, Bass, and Drums, and H.K. handling Vocals, noise and electronics, lyrics and concepts), rising from the ashes of a previous incarnation of the project called Okkvlt. Cthonica is, and likely always will be, a proudly home-recorded project. Both for necessity due to the precarious access to resources in the tumultuous Venezuelan society and general lack of most things out there, and for the complete refusal by the core duo behind the project to compromise or embrace standardized and commonly acceptable creation processes. As such Cthonica's existence will likely always be one of near complete lack and isolation, a state and condition which has perhaps made certain aspects of their art even more violent, defiant, and abominable. That of Chtonica appears to be an existence of evolved regression, where a state of isolation, lack, and primitivism has evolved aberrantly, and created fertile conditions for the development of deviant and feral art forms. Regarding this aspect of their creation process the band has stated that “we are a home-made recording project because we are oblivious to so-called professional hi-fi techniques and firmly believe that the approach of basic and primitive resources keeps us on the line of what we want“. Lyrically, musically, and conceptually Cthonica are focused on expressing the abyss within every human life, not (only) through the classic but overused Nietzschean cliché, but also and mostly as a Tehomic-Typhonian metamorphosis of every man's reason through what they call, "spiritual putrefaction”, or the progressive human corruption through the guidelines of opprobrious disciplines and their teachings, a concept which has shaped and defined the band’s abhorrent debut 2XLP Typhomanteia: Sacred Triarchy of Spiritual Putrefaction.